I was sat watching the opposition debates, having the usual soul-draining feelings every time Farage opened his mouth to speak, when this idea popped into my head. Whatever the issue, whatever the topic – Farage never fails to crowbar in some immigration talk – to the point at which the word lost all meaning and I was convinced this Immigration person just really hurt Farage once. Broke his heart. And he can’t let it go.
It’s a kinder, sillier, interpretation of his beliefs than he deserves but for my own sanity and well-being, I have to try not to take this man seriously or I become depressed.
After I pitched this idea, I saw the brilliant Babak Ganjei share a couple of Young Farage comics on Facebook which come from a similar place but are very different in execution. He’s much funnier than me. Check them out here. I was terrified it would look like I stole his idea when I saw his posts, but I think we both came at the same idea in very different ways.
I know campaigning has only just officially started but it really doesn’t feel like it.
I really liked the idea of doing a cartoon version of Monet’s Haystacks with time passing as the hotel ponders the overuse of the word “gate”. I had fun playing with the colours and trying to make the shadows work.
This was for the Easter double issue of the New Statesman (buy a physical copy here) so there won’t be a comic next week.
The absurd idea that Clarkson is a frustrated liberal trapped in a bigoted world of his own making made me smile. It’s completely improbable. But I wonder if there’s an element of truth to it in that he knows exactly what he’s doing when it comes to courting controversy.
When the fourth plinth sculpture by Hans Haacke was unveiled, Johnson managed to get in a not-so-subtle dig at George Osborne while also wilfully misinterpreting the clear anti-austerity conceit of the piece – all of which you can read about here. As always, he did this using a bit of his patented verbal pomposity. It made me think about how he’d manage to completely overlook the political spirit of other works of art.
Wasn’t overly successful with Johnson’s likeness here – some panels work better than others. I struggled to consistently capture him. I think this was largely down to applying half-measures to the simplicity of the drawing – I should have committed to a much simpler design. Next time!
A pretty light joke I wanted to draw after seeing the dead-eyed stare of a BBC news anchor after he had to talk about white/gold/blue/black dresses. He could barely contain his disdain. I enjoyed trying to find the space to slow the pace of the comic for added pathos.
Quite a wordy piece this one but I really like the colour scheme. All in reference to Theresa May’s proposal.
I think this one was more visually playful and fun in my head when I first conceived it. In the end, I didn’t push my style enough and capture that superhero dynamism I was going for. But I still like the concept.
Depending on where you find your definition, at 33 years old, I’m technically on the cusp of being a Gen Xer and a Millennial. Millennials are also known by a thousand different names as the generations before them attempt to define them: The Me Me Me Generation, Generation Y, The Entitled Generation, The Lost Generation, The Net Generation, The Echo Boomers, The Peter Pan Generation, The Boomerang Generation etc. etc.
As all of these titles suggest, it feels like older generations are simply looking for ways to pigeon-hole and condescend every single young person they can. Interestingly, Generation Xers or Baby Boomers faced their own version of this from the generations before them but fail to see the irony.
Every generation has had it better than the one before it. Until now. This is a generation that can expect social mobility, the environment, wages, and housing to be worse for them than it was for their parents. And yet, every think-piece, article or feature I see that talks about Millennials finds a way to blame them for something. Interestingly, they all manage to contradict each other. Fairly or unfairly, young people are going to represent whatever problem the writer has a bugbear about.
This reaches it’s apex when I see arguments about current affairs descend into very patronising “well, you’re from a different generation” comments rather than any engagement with the entirely reasonable issues or points someone has raised. It’s a new deflection technique that is becoming increasingly popular as people start to draw a questionable line between “outrage culture” and “young people”. A cheap way of pulling the escape cord in a discussion, guilt-free.
Oops. Almost forgot to put this one up!
I was pleased with the 90s style background on this one. And Jar Jar Binks is remarkably fun to draw. I was a little bit too harsh on Fat Chandler there though – my bad.